Ring

Wehlim interpreted the Ring in Marxian terms as an allegory of the collapse of capitalism from its internal contradictions, and added the threat of genetic engineering. Musicologically, his interpretation is noteworthy for its perception of the change in aesthetic direction beginning with the final scene of Siegfried, in which he claimed that the cycle turns from Musikdrama back towards to musical.

 

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Close